Products related to Form:
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Martial Aesthetics : How War Became an Art Form
The twenty-first century has witnessed a pervasive militarization of aesthetics with Western military institutions co-opting the creative worldmaking of art and merging it with the destructive forces of warfare. In Martial Aesthetics, Anders Engberg-Pedersen examines the origins of this unlikely merger, showing that today's creative warfare is merely the extension of a historical development that began long ago.Indeed, the emergence of martial aesthetics harkens back to a series of inventions, ideas, and debates in the eighteenth and early nineteenth century.Already then, military thinkers and inventors adopted ideas from the field of aesthetics about the nature, purpose, and force of art and retooled them into innovative military technologies and a new theory that conceptualized war not merely as a practical art, but as an aesthetic art form.This book shows how military discourses and early war media such as star charts, horoscopes, and the Prussian wargame were entangled with ideas of creativity, genius, and possible worlds in philosophy and aesthetic theory (by thinkers such as Leibniz, Baumgarten, Kant, and Schiller) in order to trace the emergence of martial aesthetics.Adopting an approach that is simultaneously historical and theoretical, Engberg-Pedersen presents a new frame for understanding war in the twenty-first century.
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Creativity in Art, Design and Technology
This is an open access book. Creativity is a difficult concept, how can it best be defined, understood, applied, and practiced? This book provides important answers to these questions. Technology can enable artists to be more creative. Scientific and artistic thinking give us two complementary tools to understand the complexity of the world, with science reducing subjective experience to essential principles and art intensifying and expanding our experiences. These examples also show how artists can push the boundaries of technology into exciting new realms that have not been explored before.The impact that art and art practice can have on culture, society, and social responsibility is explored in detail through examples and case studies. In addition, the book presents how artists are creating and reflecting cultural and societal resonance in their work.Can other disciplines help artists to be morecreative? All are part of an interrelated wider society and enables artists to develop artwork fit for highly interfaced and conceptually broad contemporary contexts. This is illustrated with examples which show exciting and challenging results. Creativity in Art, Design and Technology is relevant for artists, designers, scientists and technologists. All can benefit in a major way from a greater understanding of creativity, and the ways in which mutual interaction and collaboration enables all areas to develop.The potential for the future is immense and this book signposts the way forward.
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Aesthetics of Repair : Indigenous Art and the Form of Reconciliation
Aesthetics of Repair analyses how the belongings called "art" are mobilized by Indigenous artists and cultural activists in British Columbia, Canada.Drawing on contemporary imaginaries of repair, the book asks how diverse forms of collective reckoning with settler-colonial harm resonate with urgent conversations about aesthetics of care in art.The discussion moves across urban and remote spaces of display for Northwest Coast–style Indigenous art, including galleries and museums, pipeline protests, digital exhibitions, an Indigenous-run art school, and a totem pole repatriation site. The book focuses on the practices around art and artworks as forms of critical Indigenous philosophy, arguing that art’s efficacies in this moment draw on Indigenous protocols for enacting justice between persons, things, and territories.Featuring examples of belongings that embody these social relations – a bentwood box made to house material memories, a totem pole whose return replenishes fish stocks, and a copper broken on the steps of the federal capital – each chapter shows how art is made to matter.Ultimately, Aesthetics of Repair illuminates the collision of contemporary art with extractive economies and contested practices of "resetting" settler-Indigenous relations.
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Design, Form, and Chaos
“To have the preeminent graphic designer in America—the leading proponent of the Modern—intelligently and forcefully speak out makes this a document for today and the ages.Rand’s book is a classic.”—Stephen Heller (1993) Paul Rand (1914–1996) was a pioneer in the field of advertising design and typography, and his work still exerts a profound influence on the design profession.First published to critical acclaim in 1993, and long unavailable, Design, Form, and Chaos is now back in print.Exploring graphic design challenges such as the values behind aesthetics, the role of intuition, selecting a typeface, and the place of market research, the book elegantly demonstrates how utility and beauty can be effectively combined.Illustrated with examples of Rand’s own remarkable graphic design, as well as with the work of artists he admired, the book features seven portfolios that he used to present logos to clients such as Next, IDEO, and IBM.Clearly one of the most important books in the history of 20th-century American design, Design, Form, and Chaos is a must have for any student or professional.
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What is the verb form of innovation?
The verb form of innovation is "innovate." It means to introduce new ideas, methods, or products in order to create positive change or improvement. When individuals or organizations innovate, they are actively seeking to bring about new and creative solutions to existing problems or challenges.
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Is creativity a form of intelligence?
Creativity can be considered a form of intelligence, as it involves the ability to think outside the box, generate original ideas, and solve problems in innovative ways. Creative individuals often demonstrate high levels of cognitive flexibility, which is a key component of intelligence. However, creativity also encompasses emotional and social intelligence, as it involves understanding and expressing oneself in unique and meaningful ways. Therefore, while creativity is a distinct form of intelligence, it also incorporates various aspects of cognitive, emotional, and social intelligence.
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What is an art form?
An art form is a specific medium or technique through which an artist expresses their creativity and ideas. It can encompass a wide range of disciplines, including visual arts, performing arts, literature, music, and more. Each art form has its own unique set of principles, methods, and conventions that artists use to create their work. Art forms are a way for individuals to communicate, evoke emotions, and explore the human experience through various creative outlets.
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How do scars form from cutting?
When a person cuts themselves, the body's natural response is to heal the wound by forming a scar. The process begins with the body sending platelets to the site of the cut to stop the bleeding. Then, the body produces collagen to repair the damaged skin, resulting in the formation of a scar. The appearance of the scar can vary depending on factors such as the depth and size of the cut, as well as the individual's skin type and healing process. Over time, the scar may fade and become less noticeable, but it will always be a reminder of the injury.
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Television : Technology and Cultural Form
Television: Technology and Cultural Form was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules.Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains remarkably prescient.Williams stresses the importance of technology in shaping the cultural form of television, while always resisting the determinism of McLuhan's dictum that 'the medium is the message'.If the medium really is the message, Williams asks, what is left for us to do or say?Williams argues that, on the contrary, we as viewers have the power to disturb, disrupt and to distract the otherwise cold logic of history and technology - not just because television is part of the fabric of our daily lives, but because new technologies continue to offer opportunities, momentarily outside the sway of transnational corporations or the grasp of media moguls, for new forms of self and political expression.
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Typographic Design : Form and Communication
The bestselling introduction to designing the written word Typographic Design: Form & Communication is the definitive reference for graphic designers, providing a comprehensive introduction to the visual word.Done well, typopgraphy can communicate so much more than the words themselves.Typographic design determines how you feel about a message, the associations you make, and ultimately, the overall success of the communication.Typographic design extends from the page to the screen, and is a critical element of almost any graphic design project.This book provides essential guidance on everything related to type: from letterforms and negative space, to messaging, processes, and history, aspiring designers will find great utility in mastering these critical concepts. This new seventh edition has been fully updated with new coverage of contemporary typography processes, updated case studies, and new examples from branding, print, web, motion, and more.On-screen typographic design concepts are discussed in greater detail, and the online supplemental materials include new flashcards, terminology and quizzes. Understand design factors as they relate to typeExplore communication and typographic messagingLearn how typography has evolved, and where it is headedAdopt established approaches to designing with type The irony of typographic design is that, when done well, it often goes unnoticed—but its impact on a project’s overall success is undeniable.Typography can make or break a page, can enhance or overpower an image, and can obscure a message or bring it into sharp focus.It is one of the most powerful tools in the graphic designer’s arsenal, and Typographic Design is the complete, practical introduction.
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Form Next to Form Next to Form
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Weaving as an Art Form
Outstanding among textile artists is Theo Moorman, a British weaver who has taught extensively in the United States.Illustrated with beautiful color and black and white examples of her work are her thoughts on the design and aesthetic expression embodied in a woven fabric. The technique of weaving that bears her name is explained with numerous ways the Moorman technique may be varied and used with further exploration.Her experiences with commissioned works are utilized in a special chapter relating the problems and opportunities these present.
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What is non-periodic form design?
Non-periodic form design refers to a design that does not follow a regular, repeating pattern or structure. Instead, it often incorporates irregular shapes, asymmetry, and varying elements to create a dynamic and visually interesting composition. Non-periodic form design can be found in various art forms, such as architecture, graphic design, and interior design, and it often conveys a sense of movement, spontaneity, and creativity. This type of design allows for greater freedom and expression, as it breaks away from traditional, repetitive patterns and encourages unique and innovative arrangements.
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Which art form is the noblest?
The idea of which art form is the noblest is subjective and varies from person to person. Some may argue that classical music is the noblest art form due to its complexity and emotional depth, while others may believe that literature holds this title because of its ability to convey profound ideas and emotions. Visual arts, such as painting and sculpture, are also often considered noble due to their ability to capture the beauty of the world. Ultimately, the noblest art form is a matter of personal preference and the impact it has on the individual.
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Is makeup a form of art?
Yes, makeup can be considered a form of art. Just like painting or sculpting, applying makeup involves creativity, skill, and the use of various colors and techniques to create a desired look. Makeup artists often use their knowledge of color theory, facial anatomy, and different makeup products to transform a person's appearance, much like an artist uses a canvas to create a painting. Additionally, makeup can be used to express individuality, enhance features, and evoke emotions, making it a form of artistic expression.
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Is warfare a form of art?
Warfare can be considered a form of art in the sense that it involves strategy, tactics, and creativity. Just like art, warfare requires careful planning, skillful execution, and the ability to adapt to changing circumstances. Military leaders and strategists often use their creativity and ingenuity to outmaneuver their opponents and achieve their objectives. However, it's important to recognize that warfare also involves destruction and loss, which sets it apart from traditional forms of art.
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