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  • Creativity in Art, Design and Technology
    Creativity in Art, Design and Technology

    This is an open access book. Creativity is a difficult concept, how can it best be defined, understood, applied, and practiced? This book provides important answers to these questions. Technology can enable artists to be more creative. Scientific and artistic thinking give us two complementary tools to understand the complexity of the world, with science reducing subjective experience to essential principles and art intensifying and expanding our experiences. These examples also show how artists can push the boundaries of technology into exciting new realms that have not been explored before.The impact that art and art practice can have on culture, society, and social responsibility is explored in detail through examples and case studies. In addition, the book presents how artists are creating and reflecting cultural and societal resonance in their work.Can other disciplines help artists to be morecreative? All are part of an interrelated wider society and enables artists to develop artwork fit for highly interfaced and conceptually broad contemporary contexts. This is illustrated with examples which show exciting and challenging results. Creativity in Art, Design and Technology is relevant for artists, designers, scientists and technologists. All can benefit in a major way from a greater understanding of creativity, and the ways in which mutual interaction and collaboration enables all areas to develop.The potential for the future is immense and this book signposts the way forward.

    Price: 24.99 £ | Shipping*: 3.99 £
  • Emotion by Design : Lessons on Creativity from a Life at Nike
    Emotion by Design : Lessons on Creativity from a Life at Nike

    'The marketing genius behind Nike . . . Greg Hoffman has inspired me tremendously' Steven Bartlett, author of Happy Sexy Millionaire How did Nike go from being a small sneaker brand to the world's most revered company? Why do its campaigns - from 'Just do it' to the famous Nike swoosh - capture the imaginations of millions worldwide? And what can any founder or marketer learn from them?Greg Hoffman joined Nike as 22-year-old design intern.Over the next thirty years, he would help craft some of the most iconic campaigns in history - for Ronaldo and Serena, Olympic Games and World Cup finals.Now, he unveils a transformative method that will make any brand more creative: emotion by design. 'Great story, amazing career, so inspirational . . . I couldn't put it down' Chris Evans'The ultimate playbook to unleash creativity in any team' Jake Humphrey, author of High Performance'An unforgettable account of a man and a business that never had to try to be someone else's idea of cool - because they had already defined it themselves' Rory Sutherland, Vice-Chairman of Ogilvy and author of Alchemy'Brilliant . . . Hoffman draws on a lifetime of experience at Nike to reveal how any team can make brand connections stronger' Nir Eyal, author of Hooked'This book made me smile in my soul' Mary Portas'Remarkable . . . A distinctive framework that will help marketers and creatives connect with their audiences like never before' Jonah Berger, author of Contagious

    Price: 10.99 £ | Shipping*: 3.99 £
  • Film Editing : Emotion, Performance and Story
    Film Editing : Emotion, Performance and Story

    Film editing is part of the long process of formulating, acquiring and presenting the images and sounds that make a film.The film editor makes decisions about the arrangement of the visual and aural material that they receive in the cutting room, not for their own satisfaction but to stimulate the participation of the cinema and television viewer.Three interrelated aspects, Emotion, Performance and Story, influence this decision-making.Combining history, practice, study and theory, Film Editing: Emotion, Performance, Story investigates why certain editorial decisions can encourage the emotional and narrative engagement of the audience.With full-color examples from features, short films and commercials, this book introduces a range of different editing styles and techniques to provide editors with a context on which to build their practice. Julie Lambden takes a discursive approach exploring the many options open to the editor whether this is the fine point at which to cut or the exact structuring of scenes within a whole film.Examples are closely analysed and discussed using frame grabs, graphics and plans.The book opens discussions on our psychological and cognitive behavior, and asks why certain picture and sound configurations can affect us emotionally.Interspersed with chapters on the fundamental tools of editing are studies of three editing strategies.Each is a method of persuasion that the editor can use to elicit a response in the audience, whether that is sympathy for a character or belief in the fictional world.

    Price: 31.99 £ | Shipping*: 0.00 £
  • Tarab : Music, Ecstasy, Emotion, and Performance
    Tarab : Music, Ecstasy, Emotion, and Performance

    In Arab culture, at the ineffable point where music meets emotion, lies ?arab.Often glossed as the ecstasy experienced and expressed when performing or listening to singing, instrumental works, and recitations of poetry, ?arab is both a practice and an orienting concept central to musical aesthetics and spirituality characteristic of Middle Eastern cultures. Gathering fifteen essays by scholars of music, affect, literature, religion, and education, ?arab extends the study of ?arab historically, geographically, and sociologically.Historical essays explore ?arab’s role in the medieval Middle East and the Ottoman Empire.Turning to the modern era, authors examine ?arab and related concepts in Egypt, Albania, and Iraq, and among Turkish Roma and Lebanese Maronite Christians.The contributors also address contemporary practitioners and the intersections of ?arab and maqam, belly dancing, music streaming, and university music ensembles.Situating this unique cultural concept in a global context, these studies enrich the story of ?arab and provide new insight into music’s powerful emotional appeal.

    Price: 50.00 £ | Shipping*: 0.00 £
  • What does little emotion mean?

    Little emotion refers to a lack of strong feelings or expressions of emotion. It can indicate a sense of detachment, indifference, or apathy towards a situation or person. People who exhibit little emotion may have difficulty connecting with their own emotions or the emotions of others, leading to a perceived lack of empathy or understanding in social interactions.

  • Is hatred really an emotion?

    Hatred is often described as a strong feeling of intense dislike or animosity towards someone or something. While it is commonly referred to as an emotion due to its powerful and visceral nature, some argue that it is more of a learned behavior or mindset rather than a pure emotion. Hatred can be fueled by a variety of factors such as fear, prejudice, or past experiences, making it a complex and multifaceted phenomenon that goes beyond just being a simple emotion.

  • Is hate really an emotion?

    Hate is often described as a strong feeling of intense dislike or animosity towards someone or something. While it is not a primary emotion like happiness or sadness, hate is considered a complex emotion that can be fueled by a combination of other emotions such as anger, fear, or disgust. It involves a deep-seated aversion and can lead to harmful thoughts and actions. Overall, hate can be seen as a powerful and destructive emotion that can have significant impacts on individuals and society.

  • Is fear the strongest emotion?

    Fear is a powerful and primal emotion that can have a strong impact on our thoughts and actions. However, it is not necessarily the strongest emotion for everyone. Different individuals may experience and respond to emotions in different ways, and what feels most powerful to one person may not be the same for another. Emotions such as love, anger, and joy can also have a significant impact on our lives and can be just as powerful as fear in certain situations. Therefore, it is subjective to say whether fear is the strongest emotion overall.

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  • Bloom : Art, Flowers and Emotion
    Bloom : Art, Flowers and Emotion

    Artists have always been captivated by the colour, beauty and exoticism of flowers.Their fragility is a reminder to seize the day, whilst their rich sensory appeal jolts us into the present moment.In many cultures, they've become a fertile metaphor for life's milestones whether joyful or sad. Bloom explores the way art, flowers and emotion entwine, featuring over one hundred works from artists including Tracey Emin, David Hockney, Winifred Nicholson and Andy Warhol.Taking you on a surprising journey through love, sex, death and everything in between -- Bloom shows that there's a lot more to flowers than simply looking pretty.

    Price: 25.00 £ | Shipping*: 3.99 £
  • Cognition, Emotion, and Aesthetics in Contemporary Serial Television
    Cognition, Emotion, and Aesthetics in Contemporary Serial Television

    This book posits an interconnection between the ways in which contemporary television serials cue cognitive operations, solicit emotional responses, and elicit aesthetic appreciation.The chapters explore a number of questions including: How do the particularities of form and style in contemporary serial television engage us cognitively, emotionally, and aesthetically?How do they foster cognitive and emotional effects such as feeling suspense, anticipation, surprise, satisfaction, and disappointment?Why and how do we value some serials while disliking others?What is it about the particularities of serial television form and style, in conjunction with our common cognitive, emotional, and aesthetic capacities, that accounts for serial television’s cognitive, socio-political, and aesthetic value and its current ubiquity in popular culture?This book will appeal to postgraduates and scholars working in television studies as well as film studies, cognitive media theory, media psychology, and the philosophy of art.

    Price: 39.99 £ | Shipping*: 0.00 £
  • Design in a Frame of Emotion
    Design in a Frame of Emotion


    Price: 12.50 £ | Shipping*: 3.99 £
  • Innovation in Music: Technology and Creativity
    Innovation in Music: Technology and Creativity

    Innovation in Music: Technology and Creativity is a groundbreaking collection bringing together contributions from instructors, researchers, and professionals.Split into two sections, covering composition and performance, and technology and innovation, this volume offers truly international perspectives on ever-evolving practices. Including chapters on audience interaction, dynamic music methods, AI, and live electronic performances, this is recommended reading for professionals, students, and researchers looking for global insights into the fields of music production, music business, and music technology.

    Price: 56.99 £ | Shipping*: 0.00 £
  • Why is she writing without emotion?

    She may be writing without emotion because she is trying to convey information in a clear and objective manner. This could be important in a professional or academic context where emotions may cloud the message. Additionally, she may be intentionally trying to distance herself from the topic or the reader in order to maintain a sense of professionalism or neutrality. Finally, it's possible that she is feeling emotionally detached from the subject matter and is reflecting that in her writing.

  • Is this lack of emotion normal?

    The experience of a lack of emotion can be normal in certain situations, such as during periods of stress or grief. However, if the lack of emotion persists for an extended period of time and significantly impacts daily functioning, it may be a sign of an underlying mental health issue such as depression or anxiety. It is important to seek support from a mental health professional to better understand the cause of the lack of emotion and to receive appropriate treatment.

  • Do emotion and reason go together?

    Emotion and reason are often seen as two separate aspects of human cognition, but they are not mutually exclusive. In fact, they often work together to help us make decisions and navigate the world. Emotions can provide valuable information about our values and preferences, while reason can help us evaluate options and make logical choices. Ultimately, a balance of both emotion and reason is often necessary for making well-rounded and informed decisions.

  • Which emotion accompanies you the most?

    As an AI, I do not experience emotions like humans do. I am designed to assist and provide information to the best of my abilities without any emotional influence. My main purpose is to help users with their queries and provide accurate and helpful responses.

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