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The Pop Documentary Since 1980 : Aesthetics, Performance, Creativity
In The Pop Documentary Since 1980, Richard Wallace examines the representation of pop music, musicians and music-making in documentary film and television.He draws together conceptual frameworks from within and outside of film and television studies - including performance studies, musicology, celebrity studies and fan studies - to provide a critical interrogation of the central issues in this genre. A common criticism of the music documentary is that it lacks artistic integrity because of its close affiliation with its subject.Wallace argues that music documentaries can be artful and conceptually complex and be part of a broader process of image curation under the control of the artist and their management.This contradiction is key to the form’s vitality and Wallace explores two competing lines of enquiry.First, the contribution that such documentaries make to the public perception of their subjects.Second, he argues that its ‘official’ status does not preclude music documentaries from being artistic or engaging with the theoretical questions that underpin documentary media more broadly. Other issues addressed include: - how documentaries about song writing attempt to represent intangible concepts like ‘creativity’ and ‘inspiration’;- how the experiential and affective aspects of music are communicated through the visual image; - ethical considerations. Each of these conceptual questions is examined through detailed analysis of a variety of music documentaries ranging from Stop Making Sense to Tokyo Idols via Beyoncé and The Beatles.
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Aesthetics
This volume of lectures on aesthetics, given by Adorno in the winter semester of 1958–9, formed the foundation for his later Aesthetic Theory, widely regarded as one of his greatest works. The lectures cover a wide range of topics, from an intense analysis of the work of Georg Lukács to a sustained reflection on the theory of aesthetic experience, from an examination of works by Plato, Kant, Hegel, Schopenhauer, Kierkegaard and Benjamin, to a discussion of the latest experiments of John Cage, attesting to the virtuosity and breadth of Adorno's engagement. All the while, Adorno remains deeply connected to his surrounding context, offering us a window onto the artistic, intellectual and political confrontations that shaped life in post-war Germany. This volume will appeal to a broad range of students and scholars in the humanities and social sciences, as well as anyone interested in the development of critical theory.
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(Syn)aesthetics : Redefining Visceral Performance
A timely book that identifies the practice of '(syn)aesthetics' in artistic style and audience response, which helps to articulate the power of experiential practice in the arts.This exciting new approach includes interviews with leading practitioners in of theatre, dance, site-specific work, live art and technological performance practice.
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Breathing Aesthetics
In Breathing Aesthetics Jean-Thomas Tremblay argues that difficult breathing indexes the uneven distribution of risk in a contemporary era marked by the increasing contamination, weaponization, and monetization of air.Tremblay shows how biopolitical and necropolitical forces tied to the continuation of extractive capitalism, imperialism, and structural racism are embodied and experienced through respiration.They identify responses to the crisis in breathing in aesthetic practices ranging from the film work of Cuban American artist Ana Mendieta to the disability diaries of Bob Flanagan, to the Black queer speculative fiction of Renee Gladman.In readings of these and other minoritarian works of experimental film, endurance performance, ecopoetics, and cinema-vÉritÉ, Tremblay contends that articulations of survival now depend on the management and dispersal of respiratory hazards.In so doing, they reveal how an aesthetic attention to breathing generates historically, culturally, and environmentally situated tactics and strategies for living under precarity.
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What is aesthetics?
Aesthetics is a branch of philosophy that deals with the nature of beauty, art, and taste. It explores the concepts of perception, emotion, and judgment in relation to art and beauty. Aesthetics seeks to understand what makes something visually or audibly pleasing and how we interpret and appreciate different forms of art and design. It also examines the role of aesthetics in shaping our experiences and understanding of the world around us.
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What is imitation aesthetics?
Imitation aesthetics refers to the artistic practice of replicating or mimicking the style, techniques, or themes of another artist or artistic movement. It involves creating works that closely resemble existing artworks or styles, often as a form of homage, parody, or commentary. Imitation aesthetics can be used to explore ideas of originality, authorship, and artistic influence, blurring the lines between copying and creativity. Artists may engage in imitation aesthetics to pay tribute to their predecessors, challenge traditional notions of artistic authenticity, or subvert established conventions in art.
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What kind of aesthetics?
The term "aesthetics" refers to the principles and philosophy of beauty, art, and taste. It encompasses the study of sensory experiences, emotions, and perceptions related to art and design. Different cultures and individuals may have varying aesthetics preferences, ranging from minimalist and modern to ornate and traditional. Ultimately, aesthetics is subjective and can vary greatly depending on personal preferences and cultural influences.
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How does aesthetics develop?
Aesthetics develops through a combination of cultural, historical, and individual influences. It is shaped by the artistic and creative expressions of different societies and time periods, as well as by the personal experiences and perspectives of individuals. Aesthetics also evolves through the exploration and reinterpretation of existing artistic traditions, as well as through the introduction of new ideas and technologies. Overall, aesthetics is a dynamic and ongoing process that is continually shaped by the interactions between people, cultures, and artistic expressions.
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Aesthetics Imperfections
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Modern Aesthetics
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Sociopolitical Aesthetics : Art, Crisis and Neoliberalism
Since the turn of the millennium, protests, meetings, schoolrooms, reading groups and many other social forms have been proposed as artworks or, more ambiguously, as interventions that are somewhere between art and politics.This book surveys the resurgence of politicized art, tracing key currents of theory and practice, and mapping them against the dominant experience of the last decade: crisis. Drawing upon leading artists and theorists within this field – including Hito Steyerl, Marina Vishmidt, Art & Language, Gregory Sholette, John Roberts and Dave Beech – this book argues for a new interpretation of the relationship between socially-engaged art and neoliberalism.Kim Charnley explores the possibility that neoliberalism has destabilized the art system so that it is no longer able to absorb and neutralize dissent.As a result, the relationship between aesthetics and politics is experienced with fresh urgency and militancy.
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Ecologies, Aesthetics, and Histories of Art
What are the conceptual correspondences and gaps between theories of nature, ecology, environment, and aesthetics?This volume addresses the ecological and aesthetic dimensions of human interaction with geographical, geological, botanical, zoological, astronomical, and climatic formations.Other than literary ecocriticism which led to heated debates, this book deals with the ecological turn in visual studies, a territory of research still in its infancy.Art history is thus engaging in the crucial exchange between ecological and aesthetic studies.The contributions adopt a historical as well as a transcultural perspective reaching from the earliest known human interaction with the natural environment to the present day.
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What is Schiller's aesthetics?
Schiller's aesthetics, as outlined in his work "Letters on the Aesthetic Education of Man," emphasize the importance of beauty and art in human development. He believed that through the experience of beauty, individuals could achieve a harmonious balance between their rational and sensual natures. Schiller argued that art has the power to elevate the human spirit and promote freedom, allowing individuals to transcend their limitations and connect with a higher reality. Overall, Schiller's aesthetics focus on the transformative and liberating potential of art in shaping human consciousness and society.
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Which aesthetics is this?
The aesthetics described in the text is minimalism. This aesthetic focuses on simplicity, clean lines, and a sense of openness. It often involves using a limited color palette, uncluttered spaces, and a focus on functionality. Minimalism aims to create a sense of calm and tranquility through the use of minimal elements.
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What is room aesthetics?
Room aesthetics refer to the overall look and feel of a room, including its visual appeal, style, and atmosphere. This includes elements such as color scheme, furniture arrangement, lighting, and decor choices that work together to create a cohesive and pleasing environment. Room aesthetics play a crucial role in setting the mood and ambiance of a space, influencing how comfortable and inviting it feels to those who inhabit it. Ultimately, room aesthetics are about creating a space that reflects the personality and preferences of the occupants while also being functional and visually appealing.
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What are the different aesthetics?
There are many different aesthetics, each with its own unique characteristics and style. Some common aesthetics include minimalism, which focuses on simplicity and clean lines; vintage, which incorporates elements from past eras; bohemian, which embraces a free-spirited and eclectic look; and industrial, which features raw and unfinished materials. Other aesthetics include modern, traditional, rustic, and coastal, each with its own distinct design elements and influences. Overall, aesthetics play a significant role in shaping the visual appeal and atmosphere of a space.
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